Intelligent, witty, and poignant, Gilded Age presents a modern Edith Wharton heroine—dramatically beautiful, socially prominent, and just a bit unconventional—whose return to the hothouse of Cleveland society revives rivalries, raises eyebrows, and reveals the tender vulnerabilities of a woman struggling to reconcile her desire for independence and her need for love.

ELEANOR HART had made a brilliant marriage in New York, but it ended in a scandalous divorce and thirty days in Sierra Tucson rehab. Now she finds that, despite feminist lip service, she will still need a husband to be socially complete. A woman’s sexual reputation matters, and so does her family name. Ellie must navigate the treacherous social terrain where old money meets new: charitable benefits and tequila body shots, inherited diamonds and viper-bite lip piercings, country house weekends and sexting. She finds that her beauty is a powerful tool in this world, but it has its limitations, even liabilities. Through one misstep after another, Ellie mishandles her second act. Her options narrow, her future prospects contract, until she faces a desperate choice.

A native of Knockemstiff, Ohio, Pollock delivers poignant and raunchy accounts of his hometown's sad and stagnant residents in his debut story collection that may remind readers of its thematic grand-daddy, Winesburg, Ohio. The works span 50 years of violence, failure, lust and depravity, featuring characters like Jake, an abandoned hermit who dodges the draft during WWII, lives in a bus and discovers two young siblings committing incest on the bank of a creek, and Bobby, a recovering alcoholic who must face the imminent death of his abusive father. The language and imagery of the novel are shockingly direct in detailing the pitiful lives of drug abusers, perverts and a forgotten population that just isn't much welcome nowhere in the world. Many of the characters appear in more than one story, providing a gritty depth to the whole, but the character that stands out the most is the town, as dismal and hopeless as the locals. 

David’s wife is dead. At least, he thinks she’s dead. But he can’t figure out what killed her or why she had to die, and his efforts to sort out what’s happened have been interrupted by his discovery of a series of elaborate and escalating threats hidden in strange places around his home—one buried in the sugar bag, another carved into the side of his television. These disturbing threats may be the best clues to his wife’s death.

Detective Chico is also on the case, and is intent on asking David questions he doesn’t know the answers to and introducing him to people who don’t appear to have David’s or his wife’s best interests in mind. With no one to trust, David is forced to rely on his own memories and faculties—but they too are proving unreliable.

In 2006, Mark Titus arrived on Ohio State's campus as a former high school basketball player who aspired to be an orthopedic surgeon. Somehow, he was added to the elite Buckeye basketball team, given a scholarship, and played alongside seven future NBA players on his way to setting the record for most individual career wins in Ohio State history. Think that's impressive? In four years, he scored a grand total of nine—yes, nine—points.

This book will give readers an uncensored and uproarious look inside an elite NCAA basketball program from Titus's unique perspective. In his four years at the end of the bench, Mark founded his wildly popular blog Club Trillion, became a hero to all guys picked last, and even got scouted by the Harlem Globetrotters. Mark Titus is not your average basketball star. This is a wild and completely true story of the most unlikely career in college basketball.

The Weird Sisters in Eleanor Brown's delightful debut could have been weirder, considering their upbringing. Their professor father spoke primarily in Shakespearean verse, and while other kids in the bucolic Midwestern college town of Barnwell, Ohio checked the TV lineup, the Andreas girls lined up their library books. They buried themselves in books so completely that while they loved each other, they never learned to like each other much. And when adulthood arrived and they pursued separate destinies, each felt out of step with the world. When news of their mother's cancer makes a terribly convenient excuse for attention-hog Bean (Bianca) and Cordy (Cordelia), the “baby” who always got off easy, to boomerang back to Barnwell from New York and New Mexico, respectively, they return bearing the guilt (and consequences) of embezzlement and pregnancy-by-random-painter. They're most terrified of admitting these failures to Rose (Rosalind), the responsible eldest, who stayed in Barnwell to teach Math and cling to her caretaker-martyr role. With lively dialogue and witty collective narration, the sisters' untangling of their identities and relationships feels honest and wise, and the questions they raise about how we carry our childhood roles into our adult lives will resonate with all readers, especially those with their own weird sisters.

We asked Ms. Brown about Ohio as the setting for The Weird Sisters and she shared her thoughts on our Authors' Insights blog.

Two brothers and their friend stumble upon the wreckage of a plane in Ashenville, Ohio—the pilot is dead and his duffle bag contains four million dollars in cash. The men agree to hide, keep and share the fortune. But what started off as a simple plan slowly devolves into a gruesome nightmare none of them can control.

In the troubled years following the Civil War, the spirit of a murdered child haunts the Ohio home of a former slave. This angry, destructive ghost breaks mirrors, leaves its fingerprints in cake icing, and generally makes life difficult for Sethe and her family; nevertheless, the woman finds the haunting oddly comforting for the spirit is that of her own dead baby, never named, thought of only as Beloved.

Inspired by Anderson's Midwestern boyhood and his adulthood in early 20th-century Chicago, this volume gave birth to the American story cycle, for which Faulkner, F. Scott Fitzgerald, and later writers were forever indebted. Defying the prudish sensibilities of his time, Anderson embraced frankness and truth. Here we meet all those whose portraits brought the American short story into the modern age.

The Trees is a moving novel of the beginning of the American trek to the west. Toward the close of the eighteenth century, the land west of the Alleghenies and north of the Ohio River was an unbroken sea of trees. Beneath them the forest trails were dark, silent, and lonely, brightened only by a few lost beams of sunlight. Here, in the first novel of Conrad Richter’s Awakening Land trilogy, the Lucketts, a wild, woods-faring family, lived their roaming life, pushing ever westward as the frontier advanced and as new settlements threatened their isolation. This novel gives an excellent feel for America's lost woods culture, which was created when most of the eastern midwest was a vast hardwood forest---virtually a jungle. The Trees conveys settler life, including conflicts with Native Americans, illness, hunting, family dynamics, and marriage.

Pecola Breedlove, a young black girl, prays every day for beauty. Mocked by other children for the dark skin, curly hair, and brown eyes that set her apart, she yearns for normalcy, for the blond hair and blue eyes that she believes will allow her to finally fit in.Yet as her dream grows more fervent, her life slowly starts to disintegrate in the face of adversity and strife. A powerful examination of our obsession with beauty and conformity, Toni Morrison’s virtuosic first novel asks powerful questions about race, class, and gender with the subtlety and grace that have always characterized her writing.

Set in rural southern Ohio and West Virginia, The Devil All the Time follows a cast of compelling and bizarre characters from the end of World War II to the 1960s. There’s Willard Russell, tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrifi­cial blood he pours on his “prayer log.” There’s Carl and Sandy Henderson, a husband-and-wife team of serial kill­ers, who troll America’s highways searching for suitable models to photograph and exterminate. There’s the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right.